The Regent’s Canal cuts through London like an urban transect. Walking east from Islington through Hackney towards Stratford yesterday I encountered a succession of changes in buildings, landscapes and other spaces. The back gardens of grand Victorian terraces gradually give way to light-engineering factories, film studios, lock keepers’ cottages and other spaces that have now been converted into luxury dwellings. The proximity of water in the post-industrial metropolis has fostered an accelerated set of architectural and cultural transformations yet remnants of the past remain.
The thriving canal-boat community of the Kingsland Basin is now encircled by new developments and the roar of construction activity. A mixed, socially inclusive and low-income London is being displaced, “decanted” or driven out to create a new kind of city.
Large swathes of social housing next to the canal have been removed or await their elimination. The Haggerston Estate, due to be demolished, has a poignant art installation in place, depicting former residents in their windows. The project “I am here”, by Andrea Luka Zimmerman, Lasse Johansson and Tristan Fennell, was in part a response to the negative characterizations of tenants which served as a pretext to enable the “redevelopment” of the site and the capture of waterside settings for wealthier Londoners